Showing posts with label Horror film. Show all posts
Showing posts with label Horror film. Show all posts

Tuesday, June 8, 2010

Movie Review: The Human Centipede (First Sequence)

Promotional poster for The Human Centipede (Fi...Image via Wikipedia
When The Human Centipede by Tom Six was first recommended to me, I was sure that it was a joke. "No, really. What's it about?" It is the kind of plot that is almost too ridiculous to comprehend. Can you really make an entire film around... that?

Yes, you can. Of course, just because you CAN do something, doesn't mean that you SHOULD. But they did anyway, and the result is one of the most grotesquely hilarious films I have seen in years.

There is no denying that this is a bad movie. This is the kind of movie that serves as the poster child for trash cinema. The next time some politician or infotainment host decides to raise the battle cry against the disgusting horror films corrupting America's youth, they will no doubt be waving around the DVD case of The Human Centipede as they scream for strict censorship laws. I don't even think I'll blame them when they do: this is not the kind of film you watch if you aren't into these kinds of films. This isn't even the kind of film that you admit to being into. I hate to throw the phrase "guilty pleasure" around with reckless abandon, but in the case of The Human Centipede, I think it is more than justified. This film is the dirty little secret you only admit watching and enjoying to those sick, twisted individuals that share your bizarre taste in cinema.

The plot is incomprehensible as it is simple. Doctor Heiter is a medical professional with a burning passion for experimental surgery, a very unpleasant bedside manner, and a skull way to large for the rest of his head. Famous for successfully separating conjoined and Siamese twins, the good doctor is now obsessed with joining things together. Heartbroken from the death of his freshly-joined three dobermans (his "Beloved Three-Dog), Heiter desides to step things up a notch and join three humans. This becomes possible when two teenage twits on a European vacation get a flat tire and stumble upon the anal-retentive (in more ways than one) mad doctor. They are the perfect victims: it is hard to feel much sympathy when the girls stumble upon a creepy German doctor with a bulging cranium and pictures of deformed fetuses on the walls, then gladly accet when he tells them to sit and offers them drinks. Two glasses of Rohypnol water and one dart-gunned Japanese drifter later, and all of the ingredients for a Human Centipede are ready and waiting. Let the good times roll.

How does he join them? I thought you 'd never ask. His brainstorm involves crippling the knees so the three can't stand up, and then surgically connecting all three people ass-to-mouth, creating a conjoined monstrosity with one continuous gastronomic passageway. That's probably the nicest way to put it. If you are having a hard time grasping the concept, fear not; the good doctor explains it all in great detail to his helpless victims, including visual aids shown on an overhead projector. Personally, I thought he would have done a better job with a PowerPoint presentation.

If this sounds like a spoiler, it really isn't. The revelation of this creation doesn't mark a climactic ending, but merely kicks off the second act. Your reaction will probably be like mine; a quick glance at a watch, followed by the dim realization that there is still an hour of this to go. This is where the film pays off, as we get to watch Heiter actually interacting with his new creation with the mixed emotions of affection and frustration you would expect from a new pet owner with irrational expectations and a monstrously skin-stretching skull. I'm not kidding, his head is huge. It actually distracts from the Human Centipede. Dieter Laser, the man behind the freakish head, makes the movie. His emotional outbursts, creepy delivery and crazed expressions  never fail to delight, and there isn't a moment that you don't believe in the character. When Dr. Heiter actually weeped at the unveiling of his creation, I couldn't help get a little teary-eyed myself. My favorite part is when he takes the Human Centipede out on the lawn for training. I'm sure it will be yours as well.

The genius behind The Human Centipede is that it is not overly graphic. You'll probably see more blood and gore on an episode of Grey's Anatomy, speaking of abominations of nature. What sets this film apart is the human cruelty and anguish of the mad doctor's victims, who are quite conscious and alert throughout the entire film, even if only one of them is able to speak after the first act. The film isn't shocking as much as it is disturbing, and it gets even more disturbing when you find yourself laughing at it. Yes, this is the kind of film that actually makes you feel dirty for watching. That's what horror films used to feel like. I kinda enjoy that.

This is not the kind of film that many will feel comfortable recommending to friends or family members, but just remember, it is all in the interest of science! Plus, The Human Centipede is also a great educational experience for the young ones; before your family viewing, quiz your children as to which part of the Human Centipede they would prefer being. After the film, compare their choices with the inherent realities displayed throughout the story. This is not only a great example of critical thought, but also teaches the lesson of being careful what you wish for.

Speaking of Careful Wishes, I should probably point out that a sequel, The Human Centipede (The Full Sequence) is due out next year.
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Monday, April 5, 2010

Bad Movie Review: My Bloody Valentine 3D

I've gotten a bit soft on remakes over the years, especially when it comes to horror film remakes. While there are many films that one can be argue should never be remade (Casablanca and Willy Wonka and the Chocolate Factory come to mind), there are a lot of films out there that had good premises or even screenplays, but suffered from minuscule budgets or shoddy productions values. Many of the films we consider "classic" usually obtain that exalted status based on our emotional attachment to the movie rather than the quality of the film.

With that in mind, and despite ignoring any comparison with the original film, My Bloody Valentine in 3D is truly an awful picture. One of the first horror films to jump on the now obnoxiously popular 3D bandwagon, MBV3D is exactly the kind of film that gives horror films a bad name. Ignoring the chance to take an older horror film and effectively update it for a newer audience, the people behind this remake simply threw together as much three-dimensional violence they could get away with under an R-rating and cobbled a script together that barely justifies the illusion of a plot to take us from one murder scene to the next. Horror films don't have to be brilliant works of storytelling in order to be enjoyed, but the occasional semblance of logic wouldn't hurt, either.


Case in point: The initial idea of a bunch of miners being trapped in a tunnel collapse, and then one of them killing all of the others to conserve all of the oxygen for himself, is not wholly far fetched or fantastic. Taking it one step further and having the homicidal survivor mentally snap and run around in full miner's gear killing everyone he comes across with a pick axe is also quite credible. The filmmakers could have even taken the psychosis of the killer to the next level, insinuating that his fear of death has driven him to believe that every living soul he comes across is yet another threat to his life as long as they are still breathing his precious oxygen.

But, just because this traumatic event occurred on Valentin's Day, our demented killer is instead somehow motivated to cut the hearts out of his victims, place them in heart-shaped candy boxes, and leave behind notes that read "Be Mine 4 Ever?" There isn't even a back story involving a bitter love affair or an unfaithful wife leaving him the day of the accident to make this drastic connection between the two completely separate events even somewhat plausible. Just to add frustration to the confusion, why go through the trouble of having him leave notes behind with the clever word play involving Mine, bother to show him using the number 4 instead of spelling it out, but then having the tragic event happen in Mine Shaft 5, and not Mine Shaft 4? I'm willing to put up with flying pick axes that defy the laws of physics, but at least give me a plot-line that doesn't stretch the boundaries of common sense.

It is little things like this that add insult to the injuries left behind by bad movies such as this. The acting is more than acceptable considering the kind of film it is, the editing and camera work are commendable, and even the mind-bendingly lengthy nude scene during the film's opening act is just gratuitous enough to serve its purpose. But subjecting your audience to twisted and uninspiring plot logic that is as predictable as it is incomprehensible does little more than give them a headache, and that is inexcusable no matter what genre your film belongs to.

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Tuesday, March 16, 2010

Deliciously Bad Movies: Hausu (1977)





Warning: watching this film clip from the seventies Japanese horror film "Hausu" might cause extreme confusion or brief psychotic episodes.


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Tuesday, February 9, 2010

Look Behind You! Scary Mirrors Montage.

Some film genres are defined more by their cliches than they are their achievements. While this might be a bit unfair, it can be pretty funny, especially when the cliche in question is so predominantly embraced by the filmmakers despite its vast overuse.

Next to the Trip-While-Running-Through-The-Woods gag, one of the most popular scare tactics for horror films has been the sudden appearance of someone or something in the mirror behind someone. In celebration of this well-worn gimmick, the darker forces pervading the atmosphere over at FourFour have created this entertaining montage of scary mirror scenes.

Watch it with the lights off. And if see a reflection in the monitor of someone behind you while you are watching, don't worry. It's just me.





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Monday, October 19, 2009

Where the Wild Things Aren't

This past weekend, the sleeper hit Paranormal Activity nearly tripled its weekend totals from its opening weekend, grossing over $20 million in third place. At first place was the long-awaited film adaptation of Where the Wild Things Are, one of the most popular kid's books ever published, raking in roughly $32 million.



The numbers all seem to be lined up nicely, with the highly anticipated family film beating out the low-budget horror film. But when you look a bit closer at the numbers, things start to get a bit lopsided. Where the Wild Things Are, with a budget of $100 million, made it to the top of the box office while showing in 3,735 theaters. Paranormal Activity came in about $12 million less, but did so in only 760 theaters. When you do the math, the number one film in the country this past weekend earned almost $9000 per theater, while the little thriller that could earned over $26,000 per theater.



In short, a micro-budgeted horror film about a day-trader's haunted girlfriend outsold a nine-figure adaptation of a legendary work of children's literature at a ratio of nearly three-to-one.

Cover of Cover of Where the Wild Things Are



How is this possible? How does a film version of an timeless illustrated classic, beloved and celebrated by multiple generations of young readers, that has spent literally decades trying to desperately make its way to the big screen, get beat out a Blair Witch Project clone that looks like it was shot on a Flip Camera and lit with table lamps? I'll just cut to the chase and give you the answer.



The magic is gone.



In 1977, lines wrapped around theaters and stretched down city blocks as people flocked in droves to witness a futuristic world of galactic empires battling spiritual warriors with laser swords in Star Wars. In 1978, audiences were promised that they would believe a man could fly if the went to see Christopher Reeves star as the Man of Steel in Superman - The Movie. In 1982, young and old alike fell in love with a stray long-necked alien searching for a way back home in E.T. - The Extra-Terrestrial.



These were magical films that made the world stand up and take notice. Not because they were the finest works of cinematic art ever created, but because they filled audiences with a sense of wonder as they watched these fantastic events unfold on screen and wondered how creating such amazing illusions was even possible. These days, we know how possible it is. Its so possible that anyone with an impressive line of credit at Best Buy could cook up comparable effects in their own home using the latest software available. And we are reminded how possible it is because every film intended to be a hit by the studios is so jam-packed full of ultra-realistic over-the-top computer generated special effects that we've come to expect flying men and laser-sword-wielding aliens with a casual nod.



This is not a rant against the advancement of technology. Instead, it is a rant against the laziness of filmmakers who are too eager to let the advancement of technology do all the work. CGI and digital effects have become so common place that they have eased to be awe-inspiring, and have instead turned even the most miraculous translations of spectacular fantasy to the big screen into boring, albeit pretty, slide shows.



This film version of Where the Wild Things Are does a remarkable job of bringing the endearing illustrations of Maurice Sendak to life, creating three-dimensional representations of his cherished fifteen-foot-tall creatures that easily convince the viewer that they are living,

Day 288: Paranormal ActivityImage by tsmall via Flickr

breathing creatures from some far-away land.



Filmmakers still approach special effects in films the way they did back in the days of Clash of the Titans. The only difference is, audiences have seen it all, and seen it all done with such ease and repetition that it no longer holds their attention, let alone their amazement or awe.



This might not be completely fair when discussing Where the Wild Things Are; while the faces are CGI, the bodies of these giant creatures are animatronic puppets and suits created by the Jim Henson Workshop, and are still indicative of the true craft of special effects that still exists today. But whether or not it deserves it, Where the Wild Things Are is a victim of commonality of computer graphics and their overuse in films. A movie finally comes along that deserves to be sold out for months as children and adults alike flock to theaters to immerse themselves in the wonderment of a fantasy realm brought to life. Instead, the dreamers are being outnumbered by people so starved for something tangibly real that they are willing to shell out $10 or more to watch poorly-lit couple jump and scream every time a door slams or a large boom is heard off-screen.



We have come full circle. The fantastic is now commonplace, while the mundane is extraordinary and captivating. Maybe it will take these financially difficult times to convince our elite but lazy filmmakers of the truth that many American households have learned to live by.



Sometimes, less is more.





Thursday, October 8, 2009

Podacst #2 now live!

Home MoviesImage by Zero1o1 via Flickr


The wait is over!


MovieSucktastic Podcast #2 is up and available for (free) download!


Listen in as the movie guys (Joey and Scott) cover Lost Boys 2 and I Love You, Man while talking about surfing vampires, masturbation humor, incest, horror films, full frontal nudity, romantic comedies, sex with farm equipment and (once again) forced urination. Its the movie podcast that tastes the way it sounds!


So head over to MovieSucktastic.com and download our last film-themed rants! While you are there, sign the guest book, check out the streaming videos and film trailers, read our reviews, and drop us an email to let us know what you think!


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